Thursday, May 20, 2010
Nuremburg Trials
Sunday, May 16, 2010
Overall Self Reflection
Arab-Israeli Conflict
Connection Across Time- Global Environment
Class Discussion (5/4)- Human Rights
I find it kind of pathetic that we as humans can't accept that we are different and get into wars because of it. It is quite sad that there needs to be a Declaration on Human Rights in order for them to be protected and there should be no need for the EU to have to promote human rights in other nations. Maybe it's just me and my modern thinking, but we are all human and that should be enough for us to all get along. We all don't have to agree with each others beliefs but we should be able to respect them as mature human beings. I find it childish that people are starting whole wars because some group of people are different than them. In the end though, these thoughts are just coming from the sheltered little girl, living in her middle-class American home, leaving her unable to understand why wars really start. In the end, the mature people of the world wouldn't start a war over differences, now would they???
Henri Cartier-Bresson
In earlier chapters, when we talk about art, we talk about paintings because camera were not practical for common art. In their earliest years, they were just used for portraits and pictures for newspapers. It was very uncommon for people to be running around with camera like the people of today, snapping a picture every 10 seconds. However, today, photography is a main staple in the art business and I felt it was only right to talk about photography as art in this more modern chapter. Photography has evolved into being a memory keeper, journalism documentation, and art itself. Photographers wait for that one moment to capture, and if they get it, they have accomplished what they need. One person who believed in the idea of capturing the right moment was Henri Cartier-Bresson.
“There is a creative fraction of a second when you are taking a picture. Your eye must see a composition or an expression that life itself offers you, and you must know with intuition when to click the camera. That is the moment the photographer is creative. Oop! The Moment! Once you miss it, it is gone forever.”- Cartier-Bresson
Cartier-Bresson is known as the father of modern photojournalism and found his influence in French Surrealism in that meanings lie beneath the surface of everyday life and through photography, he would capture it. He believed "the context of a gesture, a meeting or a setting in a photograph could convey great beauty or emotion" and from this he developed his own style of photography, "street photography," which still exists today.
(Quotes and info from: http://chriscctan.wordpress.com/2009/10/26/the-decisive-moment/)
Friday, May 14, 2010
M.C. Escher- Relativity
In all the buzz over modern, contemporary art, I think M.C. Escher gets over looked. People are so distracted trying to analyze and feel an artist's painting that they forget about having fun with art like M.C. Escher's. His work confuses yet interests the viewer with his play on perspective. In this sketch, we don't know what is up or down or where is the top of the stairs, and I love that he is able to do this. Many people don't realize the amount of mathematics it took Escher to accomplish these playfully complex sketches.
Personally I love that this sketch is so confusing because I can stare it it for hours just following the stairs and trying to make sense of anything of this drawing. Unlike other artists, I am captivated by his works, not because of their beauty, but rather that it seems more like a game. It is more fun in a sense that we don't have to stare at it wondering what the artist was thinking and feeling, and we get to try and figure out all the aspects of it like a puzzle. I also like that his work involves a lot of math, because generally, when we think of art, math is the farthest thing in our minds. Also, art minded people are usually not good at or interested in math due to the way our brains work (generally speaking of course). Escher's art brings a whole new sense and feeling into the viewer's mind that other artists can't bring out.
Andy Worhol- "Marilyn Monroe"
When I think of more current art, the first artist that comes to mind is Andy Warhol. He is known for helping to lead the way into the visual art movement and is probably most famously known for painting the Campbell's Soup can. A lot of his art shows a play on color, as seen in this work of Marilyn Monroe.
Just as the name suggests, visual art is art that are visual in nature. Basically, when the viewer looks at it, he/she is able to detect what it is/is about, as opposed to abstract art. Most, if not all, of Worhol's art is guided by this nature. What made Warhol stand out was his play on color. Naturally, a straightforward drawing of a can of soup would not appeal to society. It is Worhol's attention to detail and his unique use of panels of different colors that separated him from the rest of the visual artists. Also, most modern art plays on the ideals of abstract art and freedom of thought. Worhol's art is very straightforward. Due to its popularity, one can say that it is more appealing the the public as a whole.
Wednesday, May 12, 2010
"America held captive to utopian ideology" reaction
Monday, May 3, 2010
Connection Across Time- Women of WWII
These days, despite dispute over inferiority to men, women play a very active role in the workforce, as well as in the military. They make up at least 20% of the United States military (215,243 women as of 2009 to give you an idea). Of that total, 34,796 women are officers, 178,428 are enlisted and 2,019 are enrolled in military academies. Also, as of 2009, 1.7 million women are military veterans. (http://www.census.gov/Press-Release/www/releases/archives/facts_for_features_special_editions/003897.html). Though it may seem like that the number of women in the military has not increased much since WWII, keep in mind that we are not in a World War, and it is now socially acceptable in American for women to join any part of the U.S. Military.
Thursday, April 29, 2010
Bombing of Hiroshima-Yasuko Yamagata
While looking this photo up, I read that Yasuko Yamagata was 17 when she witnessed the bombing and was in class at the time. After the bombing she saw the corpse of a woman and child. The sad part was that the woman looked like she was running at the time they were incinerated (as pictured). This reminded me of "There Will Come Soft Rains" by Ray Bradbury where is describes a city left in rubble. This next excerpt is from this short story and in reading it, I'm sure it will bring about almost the same image as in this painting.
"Ten o'clock.
The sun came out from behind the rain. The house stood alone in a city of rubble and ashes. This was the one house left standing. At night the ruined city gave off a radioactive glow which could be seen for miles.
Ten-fifteen.
The garden sprinklers whirled up in golden founts, filling the soft morning air with scattering of brightness. The water pelted windowpanes, running down the charred west side where the house had been burned evenly free of its white paint. The entire west face of the house was black, save for five places. Here the silhouette in paint of a man mowing a lawn. Here, as in a photograph, a woman bent to pick up flowers. Still farther over, their images burned on wood in one titanic instant, a small boy, hands flung into the air higher up, the image of a thrown ball, and opposite him, a girl, hands raised to catch a ball which never came down. The five spots of paint—the man, the woman, the children, the ball—remained. The rest was a thin charcoaled layer. The gentle sprinkler rain filled the garden with falling light." (http://www.gladdemusic.com/raybradbury-there%20will%20come%20soft%20rains.htm)
I feel that this short story by Ray Bradbury helps me to picture what Yasuko Yamagata must have felt during this experience. What you would picture at certain times are now gone. The world you saw the day before is no more and there is no beauty left to look out your window to. What once was a woman carrying her child is now a stain on the face of the earth. I could only imagine other horrifying images these marks would bring about for people like Yamagata who survived the bombing and had no where to go and nothing to look for.
Hitler's success with Agression- David Low
Monday, April 26, 2010
Bataan Death March
Though I do not feel it was right for the Japanese to do this, I also do not feel that they can be frowned so much upon for the simple reason that they had a feeling of necessity to do what they did. Due to the Japanese way, they had to do what they were told because their family's honor rested on it. In comparison, I would like to point out the idea of slavery. People traded slaves like they were nothing and used slaves for their own personal, selfish gains. There was no "custom" that said families had to own slaves or else be shunned by society and bring about disgrace to the family. This just goes to show how society is so quick to judge others before we examine our own faults. In either case, however, we as humans cannot condone what happens in any of the horrific situations that occur.
Picasso- Guernica 1937
Despite my previously stated dislike for Pablo Picasso's paintings, I do believe that in this painting, he is able to capture and give off the appropriate mood of what happened in Guernica. In 1937, Guernica was bombed by German and Italian warplanes, causing a mess of emotions and tragedy. If one wanted to know just what the people of this time were feeling, they could look to this painting. Without even analyzing the elements in the painting, one will see the lack of color. Even at just a glance, this lack of color tells the observer that it is a sad and somber painting. With no color, no true emotion can be evoked, leaving a feeling of emptiness and depression. One we look into the painting, our gaze would be directed to the faces of the people and creatures. There is obvious misery and despair. We also get a sense of chaos with all the different elements and shapes (of the people, creatures and inanimate objects) overlapping each other. The whole canvas is filled with some sort of object, showing that there was no "breathing room," thus, adding to the chaos. These elements, allow the reader to feel the pain and sorrow that was around after the bombing of Guernica.
The Great Depression
I also find the recovery interesting. The stock market crashed in 1929 (Black Thursday) and recovery began in 1933. If the whole world experienced this crash, why did it take so long for the world's leaders to begin a recovery? In my mind, I would imagine that the leaders of the world would have got together ASAP after the crash itself to plan out a recovery process in a UN type of meeting. After all, wouldn't everyone be for the improvement and recovery of the world? Then again, this is a world where pride takes over and interferes with logic and where it can't always be "rainbows and butterflies" because of the complexities we all got ourselves into.
Saturday, April 17, 2010
Connection Across Time- Keynesian Economics
Picasso- "Three Musicians"
Wednesday, April 14, 2010
The Rape of Nanking
The thing that comes most shocking to me about this is the way people were killed. To be buried alive would be the worst, mentally, on a person, while being slashed multiple times and even shot, would be the worst physically. Though events like the Holocaust and the Rape of Nanking really can't and shouldn't be compared, I cant help but do so. Even in the Holocaust people were tortured just because of who they were. Personally I could not imagine one person killing another just because of appearance, nationality, or belief, because in the end, we are all human. All I can do is just shake my head in disbelief and hope that I do not find myself in the situations of these poor victims.
Tuesday, April 13, 2010
Salvador Dali- "Soft Construction with Boiled Beans"
It it no question whether or not Salvador Dali's work was unique. As with most of the artists of this time, his art was an abstraction of his own feeling and expressions. Dali was put into the category of Dadaism where art challenged the mind to think in an outrageous conduct. By looking at the painting in this entry, one could easily figure out why. It is barely possible for one to look at this picture and at first glance figure out the "meaning" behind this painting, as there appears to be no rhyme or reason to all the parts put into it. This painting becomes one for the scholars, as a knowledge of all the components and probably even one into Dali's psychology, becomes necessary in order to figure out its meaning. Dali expresses, very well, the aspects and components of the paintings of Dadaism.
As I looked through collections of his works, I noticed that almost all of them consist of a desert landscape with a sky background. Dali's paintings appeared very consistent in this way. All display the components necessary to make something a collage in front of a backdrop of a sky of some sort while placed upon a barren desert. To me this expresses Dali's mind- a clear place, yet barren and plain to be filled with new and interesting elements everyday. Though I cannot offer any insight to the possibilities of interpretations that the collage may represent, I can offer that it gives off a grim connotation and leads me further into confusion. If you should find yourself being able to offer any insight into the mind of Dali's paintings, by all means, do share.
Monet- "Water Lillies"
I have always had an affinity to Monet's paintings, which is why I decided to blog on one of them. In this chapter we learned that Monet emerged as the Father of Impressionism and painted what he saw, not what he knew. We also learned of people like Salvador Dali with Dadaism who painted with their imaginations to say the least. I find it interesting that of all the art of this time, someone like Monet who painted the most realistic artwork was considered the "different one. While he painted what he saw, the others were painting based on planes, abstraction, and geometric figures. This was also a period where the color of this art would either explode onto the canvas or be dull to display the dismal feeling of those feeling the depression that came during this time as well. Again Monet's paintings are found on neither end of these extremes. Monet's paintings usually depicted soft, serene scenes using cool calming colors.
If I were living in this time period, I think I would still be more attracted to Monet's paintings because his bring about a sense of calmness that would be a great distraction from the tension the typical family would find themselves in during the depression and in between two very major wars. I also think that Monet's paintings are more popular than any of the other artists (of his time) today for this same reason. These days people are painting their houses to bring about welcoming and soothing feelings and a painting by Monet would bring about the same effect. I like to believe that Monet would be very pleased with such accomplishments.
Wednesday, April 7, 2010
Age of Anxiety (4/7/10)
With the confusion and sadness that Dali's paintings and the explosive chaos that Matisse's artwork brings to me, I myself begin to feel anxious. I'm sure living in this time period and seeing this kind of artwork would make everyone feel just as anxious.
(Note: I know what I have previously stated is not 100% accurate as to why this time period was call this, I just find it humorous to think if it in this way. Also, this humor allows us to be distracted from the fact that this is the period in between two very gruesome and dramatic wars.)
Tuesday, March 30, 2010
Connection Across Time- Technology/Techniques
Next, and probably most popular we look to bombs. We know that by WWII the atom bomb was created. Before the atom bomb, bombs were simply dynamite. Now thanks to the greater understanding of the physical nature of the atom, we have atomic bombs. However just like Einstein, (the creator of the structure and nature of the atomic bomb) my excitement in the atomic bomb is merely out of the wonders of this advancement, not for the deaths of people.
Last, we can look at the advancement of the planes used today versus the planes used in WWI.
(http://www.aviation-central.com/1914-1918/aca60.htm)
(http://dummidumbwit.wordpress.com/2010/01/11/northrop-grumman-b-2-spirit/)
The plane on the left is an example of the planes used in WWI. As you can tell, these planes were rather large, and probably noisy due to the propeller on the front end. These planes were mainly used for spying though they did occasionally get involved in fights as with the famous Red Baron. Next we look to the plane on the left. It is know as a stealth bomber, which, as you can guess, was stealthy and bombed places/people/things. We discussed these planes in my AP Physics class and what is neat about them is that their paint is actually undetectable on radar so the enemy would never be able to know where these planes were unless they were to be in the sky following one. They also fly above the clouds so they could not be spotted on land either. Of course this paint and technology was not available to the plane builders of WWI so these planes would go on noticeable.
I find it fascinating that such things can be done. It always amazes me that people think of things like atomic reactions versus dynamite and undetectable paint coating. If these things can be done in less than a century, imagine what we can expect for the future!
Monday, March 29, 2010
Verwundeter Wounded soldier - Autumn 1916- Otto Dix
I chose another Otto Dix painting because of all the paintings I've seen while researching WWI art, his show the most passion and true essence of the horrors of WWI. As we already know from class, trench warfare was a big part of fighting in WWI. Many people died and suffered in the trenches and it was an all around gruesome experience. I felt that this picture best displayed the idea of trench warfare. If someone who knows nothing about trench warfare were to see this picture, they would immediately know just how horrible this experience would be. Just by the expression of the person' s face we can tell that he is miserable. His skinny body shows that he was starved and we could also guess dying. This becomes even more sad because most (if not all) cultures have some sort of proper burial rituals for their dead loved ones, whereas, this person in left to die here in the dirt and mud. I find it interesting that Dix chose to do this painting in black and white when so many of his other paintings are full of color. I believe he chose to do this to express the dismal feeling and accentuate the feeling of death. Though we may never know what it really feels like to be suffering in a war like this, we can feel the emotions these people must have felt through artwork like that of Otto Dix.
(http://cs.nga.gov.au/Detail.cfm?IRN=128588)
Masques à gaz (Gas Masks)-Henri de Groux
Every time we talk about being killed by gas or I see a picture like this, I get chills thinking about how it must feel to die this way. Not only did it cut off your oxygen supply, but often times it burned your skin, eyes, and/or esophagus or trachea. I couldn't imagine even the thought of death let alone a painful, suffering as you're dying. Though most of us just brush of thinking of dying in such a manor, the harsh reality is that it happened. Not just to one person, but probably millions over the course of the two world wars. To know that these painful, gruesome devices can survive between two world wars leaves me worried because it could very well be used today if another Holocaust were to break out. The sad truth about being gassed is that none of us could see it coming either since it can go unseen and sometimes undetected through smell either. At the time it may have seemed like these new scientific and technological advances were a good idea but they have left massive scars on the Earth's population.
When I stumbled upon this picture I also found a summary/criticism that came with it and it pointed out that the people in this painting were portrayed as animalistic. I find it interesting that the people would be viewed this way because in society we see killing each other as barbaric, but in the animal world, killing another of their own kind is merely survival of the fittest. This is also the main idea of Social Darwinism where through survival of the fittest, only the best "breed" will be left standing. With this I thought of Adolph Hitler and his idea of erasing the earth of those that were not perfect to leave only the best "breed" of people standing. This is a "good call" by Henri de Groux (the artist of this painting) in my eyes because if he had intended for the people in this picture to be animalistic, then he was very successful at seeing into the true animal nature of humans, thus leaving us with something to ponder with about ourselves....
(http://www.art-ww1.com/gb/texte/020text.html)
Otto Dix, Lichtsignale (The Flare), 1917
In order to get a feel for paintings of WWI i decided to search and browse random paintings of that time. I noticed a lot of artwork from Otto Dix, but I was drawn to this painting. At first glance, it jumps out as a violent and graphic image. Though it is simpler in terms of detail, I thought it resembled the horrors of the war the best through its color. In general, red resembles things like death and evil which is fitting for this situation since there is obviously death in a war. Most people would argue that war is definitely an evil thing since we become barbaric creatures by killing and fighting. Also, wrath is one of the seven deadly sins. Next I thought about the greens and yellows and how those tend to resemble nature and calmness. It adds a contrast to the red while also possibly explaining a little bit about the artist. Dix chose to use these colors on the the images of the people who seem to be in horror or dying. Though one may think that that should be painted red, I choose to see it as a new beginning for those dying people. While the reds are flaring in the background, they are green and yellow showing the decay of their bodies into nature as well as their souls heading toward a more peaceful realm- possibly heaven. Since the people were drawn in white, one can assume that they were just innocent citizens. White often resembles purity innocence and blankness. These people have done nothing wrong and are just victims in this situation. Now with this war, they become blank/ nothing. Last, I thought of how this painting was done in a chaotic manor which can tell a couple things. First it shows the intensity of the violence of war. Next, it shows the carelessness of fighting through the carelessness of order in the painting. Last, it displays violence in the way the painting seems to be just thrown into one and chaotically put together.
(http://www.art-ww1.com/gb/texte/091text.html)
Treaty of Versailles
Thursday, March 25, 2010
3/25 Class Discussion- Trench Warfare
I was also talking with a friend about comparing the "shot heard around the world" with the "shot that reverberated Europe" and one thing we talked about was the length of the wars they caused. We discovered that WWI lasted about 4 years and the American Revolution Lasted 8 years and my first response was "wow the American Revolution lasted 8 years!" At that my friend said, "Yeah WWI ONLY lasted 4 years." At that moment I had another reality check. In comparison to the American Revolution, WWI was only 4 years but in reality, 4 years is a long time. In 4 years I've managed to start high school, take numerous tests, play numerous soccer games, visit colleges, get accepted to college, get a job, quit a job, and map out the rest of my life. During the time it took me to do that, a war could have been going on and in that war, millions of people could have died, and students would not have had the opportunity to accomplish what I have accomplished. Even though it seems like "only 4 years," imagine putting your life on pause for 4 years. Imagine looking out your window for 4 years and all people are talking and working for is war. 4 years of life could turn into 4 years of total war. It is these realizations that make me thankful for the life I have where I can just sit in my AP European History class and learn a thing or two while earning my 1.0 credit toward advancing my studies to a higher education that I am able to achieve while I am not lying in a trench.